Stealing Riha's Spotlight

Allow the title to be a shameless plug for my friend Riha, over at Riha Reviews, found here. He focuses mostly on pop music, which isn't quite my forte. But check it out.

Instead, I wanted to talk about the Band of Skulls album, entitled 'Baby Darling Dollface Honey,' which is also one of the highlight tracks. While the band sounds great, and explores a variety of sounds utilizing both male and female vocals, what has impressed me so much throughout listening to their album is the track ordering. The album begins upbeat, and slowly winds down as you approach the end.

The album gets in to the good stuff quickly, as track 3, 'I Know What I Am' has been featured as the iTunes single of the week, and is on the New Moon soundtrack. Death by Diamonds and Pearls, the preceding track, also has seen some radio play, and it is followed by Fires, another great track. The album is solid throughout, without any dull track of the 11 laid down on the album.

For fans of bands like Manchester Orchestra, The Black Keys, Glasvegas, The Kooks, even Granz Ferdinand or The Dead Weather, Band of Skulls is definitely worth a listen.

TFR,

Dis

Street Scene!

This article was written for the LA Times Sunday magazine, which is why it is sort of LA focused. I was granted permission to also publish it here.

Street Scene

San Diego’s Festival Worth a Drive South

Coachella may be Southern California’s best known music festival, but San Diego’s Street Scene has been putting on quality music for 25 years. With smaller crowds and a friendly feel, last weekend’s Street Scene offered a more intimate feel than the desert Coachella. The two night event featured forty-five bands on five stages, many of whom also played at this year’s Coachella. Downtown San Diego provided the perfect setting, capitalizing on convenient transportation, easy navigation throughout the festival grounds, and views of the sun setting over the San Diego Bay. While both festivals have a definite Southern California vibe, Street Scene offers a cheaper, more intimate way to see great bands in one place.

Headlined by hip-hop artists The Black Eyed Peas and M.I.A., this year’s Street Scene also featured great artists rarely heard over the airwaves. Girl Talk stole the show Friday, turning two blocks of downtown in to a dance party with his innovative mash ups. Coming off a year in which his album was rated #4 on the list of Top 10 Albums of 2008 by Time Magazine, his set featured non-stop beats, a video screen he used to communicate with the audience through text, and a stage full of dancing audience members. He capped his set with a fireworks display, setting the crowd off in a final frenzy.

Friday’s best main stage acts included Conor Oberst and the Mystic Valley Band, led by the former Bright Eyes singer, as well as a gritty performance one would expect from Modest Mouse. Friday also featured festival mainstays Band of Horses, and the up-and-coming Cage the Elephant, and Matt and Kim (whose single is featured in a popular alcohol commercial). Conor Oberst and the Mystic Valley Band brought in LA staple Jenny Lewis (of the LA-based band Rilo Kiley) for one song, playing Bad News as well as the original artist. Oberst’s blend of folk and rock were a perfect fit for playing between Band of Horses and Cake, and Oberst’s strong vocal performance easily won over the crowd.

Los Angeles’s presence was felt during Street Scene, as LA’s bands No Age, Ozomatli, and The Silversun Pickups were featured throughout the weekend. Grammy-winning Ozomatli gave their usual crowd-pleasing show, mixing Latin, Hip-Hop, and Funk in to one cohesive, lively set. The Silversun Pickups also represented for the City of Angels, giving one of the weekend’s best performances. The band mixed in songs off all of their hit albums, ending their show with the new single Panic Switch, and Lazy Eye, the hit from their second album, Carnavas.

The Silversun Pickups rock was preceded by the contrasting Of Montreal performance, which integrated a variety of theater elements in to the performance. Of Montreal is as known for their over the top costumes as for their music, and lead singer Kevin Barnes did not disappoint, appearing in a fantasy-like cape and suit. The band played well, but the music was overshadowed by their incredible stage theatrics, which included a full story line played out in kabuki-style theater.

In addition to the Silversun Pickups and Of Montreal, Street Scene’s Saturday lineup featured Jack White’s new venture, The Dead Weather. Along with Alison Mosshart of The Kills, Dean Fertita of Queens of the Stone Age, and Jack Lawrence of The Raconteurs, White put on a classic rock show. Mosshart’s vocals and emotion put this band on par with White’s prior projects, and the Dead Weather’s live shows leave nothing to be desired.

Saturday’s lineup also had a definite funk feel to it, opening the main stage with Black Joe Lewis and the Honeybears and ending the side stage with Sharon Jones and the Dap Kings. Both groups put on lively performances on the heels of Friday’s Trombone Shorty show. While Black Joe Lewis played to a small crowd as a result of being first on the bill, Ms. Jones performed at the same time as headliner M.I.A., resulting in a smaller crowd than she deserved. The two performances were both energetic and fun, getting the audience to dance the entire time.

Though LA bands made the trek down, San Diego bands also were featured throughout Street Scene. The Dirty Sweet led off Friday, which also featured Anya Marina, a former San Diego DJ. The Crocodiles played opposite Black Joe Lewis on Saturday, and local favorites The Delta Spirit finished off Saturday’s set on The Green Stage, a solar powered side stage.

While Street Scene doesn’t offer the sheer size of Coachella, it does offer the variety and talent level seen in the desert. For those who want the chance to see their favorite bands (and some soon-to-be favorites) right from the rail, Street Scene is well worth the drive down I-5.

per usual, TFR.

Dis

Concert Going

I had the joy of covering San Diego's Street Scene, a large two-day festival downtown, for the LA Times Magazine. The festival was awesome- performances by the Dead Weather, Silversun Pickups, and personal favorites Ozomatli were enough to entice me to go, and the shows did not disappoint. While a full review will hopefully be published, there were non-review like observations I wanted to throw out there.

1) Concerts are fun. Even if you don't like dealing with crowds, there's something about live music that is exhilarating. There's always something different than the studio cuts, and there is a definite shared experience that is a good time. A good performance, live those of the Dead Weather and Silversun Pickups, can really make you like their music a whole lot more.

2)If you're a rock star, don't act like one. Live music doesn't always make you like a band more. The lead singer of Cake, for instance, was a total douchebag. He spent the first two songs complaining about the stage crew and things that went wrong, and acted above the crowd. Despite it being long past sunset, he wore his dark glasses and hat. We left after two songs as a result. Despite liking Cake's music, I'm going to have a sour taste in my mouth about the band.

3) Techno sucks less live. I'm generally not a fan, but the live shows (like Girl Talk and Chromeo) were a blast. Going back to point one, there is a shared experience there, and when it turns in to a giant dance party, it's awesome.

4) You can't spell Funk without Fun. The two most lively shows not named Girl Talk were Black Joe Lewis and the Honeybears, and Sharon Jones and the Dap Kings. Both bands had great front (wo)men, but seemed to be backed by a section of White Jewish dudes. Love it.

While I'm no concert connoisseur (this was my first multi-day concert), I'm looking forward to going to more live music in the future. Go see some shows, people!

Per usual, thanks for reading.

Dis

The Flaming Lips

In two weeks, I will have the pleasure of reviewing Street Scene for the LA Times Sunday Magazine. To perhaps get my writing up to snuff, I'm going to attempt to review the Flaming Lips show from the other night.

In short, The Flaming Lips put on one hell of a show. The stage featured a see-through half-circle screen, which the Lips played videos on throughout the show, and also used to feature Wayne (the lead singer) talking to the crowd throughout the set. They had a camera fixed on to his mic, which allowed those of us standing in back to see clearly the whole time. The screen, combined with about 50 large balloons, a stage filled with people dressed as sheep, and one human sized panda and gorilla, made the Lips set as visually stunning as it was well played.

The one thing that bothers me most about concerts is when the band is disconnected from the audience, too cool to connect to the people who are there to see them, and too good to play the popular songs. The Flaming Lips incorporated all of their hits throughout the set list, and made a point of talking to the audience throughout the show, encouraging us to sing along, and expressing their preferences for a cheap show, like the $6 one they were performing. They joked about leaving briefly to let us cheer for an encore, which while not new, is still cool.

Overall, the Flaming Lips put on a show to inspire both eyes and ears. The visually stunning performance tied in beautifully with the tight sound they put out, giving their live cuts a feel different from that of the album, but equally as good. The Flaming Lips have well earned their reputation as one of the best live bands around.

Per usual, thanks for reading.

Dis

Daily Soundtrack

Since I started walking to school, I started using my ipod on a regular basis for the first time. On days I forget it, I honestly regret not having music to fill the time. I didn't always used to be this dependent on music, but recently it seems that I need something to fill the silence. There is more and more radio and itunes going on than ever before, which makes me wonder how much brainpower is going in to music, rather than learning things.

My point is this: I am currently away from home, but not away from my music. Last.fm is seemingly a Pandora knockoff (for those who don't know Pandora.com, its awesome), but Last.fm keeps track of what music you listen to through iTunes, and logs your preferences. You can listen to streaming radio of music it recommends for you (which is not quite as good as Pandora, yet), but you can also listen to streaming radio of music you own. So I am now listening to my music, just from an online database that knows which tracks I own.

Technology. Pretty cool. Per usual, thanks for wasting your time with me.

Dis