Street Scene!

This article was written for the LA Times Sunday magazine, which is why it is sort of LA focused. I was granted permission to also publish it here.

Street Scene

San Diego’s Festival Worth a Drive South

Coachella may be Southern California’s best known music festival, but San Diego’s Street Scene has been putting on quality music for 25 years. With smaller crowds and a friendly feel, last weekend’s Street Scene offered a more intimate feel than the desert Coachella. The two night event featured forty-five bands on five stages, many of whom also played at this year’s Coachella. Downtown San Diego provided the perfect setting, capitalizing on convenient transportation, easy navigation throughout the festival grounds, and views of the sun setting over the San Diego Bay. While both festivals have a definite Southern California vibe, Street Scene offers a cheaper, more intimate way to see great bands in one place.

Headlined by hip-hop artists The Black Eyed Peas and M.I.A., this year’s Street Scene also featured great artists rarely heard over the airwaves. Girl Talk stole the show Friday, turning two blocks of downtown in to a dance party with his innovative mash ups. Coming off a year in which his album was rated #4 on the list of Top 10 Albums of 2008 by Time Magazine, his set featured non-stop beats, a video screen he used to communicate with the audience through text, and a stage full of dancing audience members. He capped his set with a fireworks display, setting the crowd off in a final frenzy.

Friday’s best main stage acts included Conor Oberst and the Mystic Valley Band, led by the former Bright Eyes singer, as well as a gritty performance one would expect from Modest Mouse. Friday also featured festival mainstays Band of Horses, and the up-and-coming Cage the Elephant, and Matt and Kim (whose single is featured in a popular alcohol commercial). Conor Oberst and the Mystic Valley Band brought in LA staple Jenny Lewis (of the LA-based band Rilo Kiley) for one song, playing Bad News as well as the original artist. Oberst’s blend of folk and rock were a perfect fit for playing between Band of Horses and Cake, and Oberst’s strong vocal performance easily won over the crowd.

Los Angeles’s presence was felt during Street Scene, as LA’s bands No Age, Ozomatli, and The Silversun Pickups were featured throughout the weekend. Grammy-winning Ozomatli gave their usual crowd-pleasing show, mixing Latin, Hip-Hop, and Funk in to one cohesive, lively set. The Silversun Pickups also represented for the City of Angels, giving one of the weekend’s best performances. The band mixed in songs off all of their hit albums, ending their show with the new single Panic Switch, and Lazy Eye, the hit from their second album, Carnavas.

The Silversun Pickups rock was preceded by the contrasting Of Montreal performance, which integrated a variety of theater elements in to the performance. Of Montreal is as known for their over the top costumes as for their music, and lead singer Kevin Barnes did not disappoint, appearing in a fantasy-like cape and suit. The band played well, but the music was overshadowed by their incredible stage theatrics, which included a full story line played out in kabuki-style theater.

In addition to the Silversun Pickups and Of Montreal, Street Scene’s Saturday lineup featured Jack White’s new venture, The Dead Weather. Along with Alison Mosshart of The Kills, Dean Fertita of Queens of the Stone Age, and Jack Lawrence of The Raconteurs, White put on a classic rock show. Mosshart’s vocals and emotion put this band on par with White’s prior projects, and the Dead Weather’s live shows leave nothing to be desired.

Saturday’s lineup also had a definite funk feel to it, opening the main stage with Black Joe Lewis and the Honeybears and ending the side stage with Sharon Jones and the Dap Kings. Both groups put on lively performances on the heels of Friday’s Trombone Shorty show. While Black Joe Lewis played to a small crowd as a result of being first on the bill, Ms. Jones performed at the same time as headliner M.I.A., resulting in a smaller crowd than she deserved. The two performances were both energetic and fun, getting the audience to dance the entire time.

Though LA bands made the trek down, San Diego bands also were featured throughout Street Scene. The Dirty Sweet led off Friday, which also featured Anya Marina, a former San Diego DJ. The Crocodiles played opposite Black Joe Lewis on Saturday, and local favorites The Delta Spirit finished off Saturday’s set on The Green Stage, a solar powered side stage.

While Street Scene doesn’t offer the sheer size of Coachella, it does offer the variety and talent level seen in the desert. For those who want the chance to see their favorite bands (and some soon-to-be favorites) right from the rail, Street Scene is well worth the drive down I-5.

per usual, TFR.

Dis

Concert Going

I had the joy of covering San Diego's Street Scene, a large two-day festival downtown, for the LA Times Magazine. The festival was awesome- performances by the Dead Weather, Silversun Pickups, and personal favorites Ozomatli were enough to entice me to go, and the shows did not disappoint. While a full review will hopefully be published, there were non-review like observations I wanted to throw out there.

1) Concerts are fun. Even if you don't like dealing with crowds, there's something about live music that is exhilarating. There's always something different than the studio cuts, and there is a definite shared experience that is a good time. A good performance, live those of the Dead Weather and Silversun Pickups, can really make you like their music a whole lot more.

2)If you're a rock star, don't act like one. Live music doesn't always make you like a band more. The lead singer of Cake, for instance, was a total douchebag. He spent the first two songs complaining about the stage crew and things that went wrong, and acted above the crowd. Despite it being long past sunset, he wore his dark glasses and hat. We left after two songs as a result. Despite liking Cake's music, I'm going to have a sour taste in my mouth about the band.

3) Techno sucks less live. I'm generally not a fan, but the live shows (like Girl Talk and Chromeo) were a blast. Going back to point one, there is a shared experience there, and when it turns in to a giant dance party, it's awesome.

4) You can't spell Funk without Fun. The two most lively shows not named Girl Talk were Black Joe Lewis and the Honeybears, and Sharon Jones and the Dap Kings. Both bands had great front (wo)men, but seemed to be backed by a section of White Jewish dudes. Love it.

While I'm no concert connoisseur (this was my first multi-day concert), I'm looking forward to going to more live music in the future. Go see some shows, people!

Per usual, thanks for reading.

Dis

The Flaming Lips

In two weeks, I will have the pleasure of reviewing Street Scene for the LA Times Sunday Magazine. To perhaps get my writing up to snuff, I'm going to attempt to review the Flaming Lips show from the other night.

In short, The Flaming Lips put on one hell of a show. The stage featured a see-through half-circle screen, which the Lips played videos on throughout the show, and also used to feature Wayne (the lead singer) talking to the crowd throughout the set. They had a camera fixed on to his mic, which allowed those of us standing in back to see clearly the whole time. The screen, combined with about 50 large balloons, a stage filled with people dressed as sheep, and one human sized panda and gorilla, made the Lips set as visually stunning as it was well played.

The one thing that bothers me most about concerts is when the band is disconnected from the audience, too cool to connect to the people who are there to see them, and too good to play the popular songs. The Flaming Lips incorporated all of their hits throughout the set list, and made a point of talking to the audience throughout the show, encouraging us to sing along, and expressing their preferences for a cheap show, like the $6 one they were performing. They joked about leaving briefly to let us cheer for an encore, which while not new, is still cool.

Overall, the Flaming Lips put on a show to inspire both eyes and ears. The visually stunning performance tied in beautifully with the tight sound they put out, giving their live cuts a feel different from that of the album, but equally as good. The Flaming Lips have well earned their reputation as one of the best live bands around.

Per usual, thanks for reading.

Dis

Keep the Change

It is time for the United States to catch up with the rest of the world. I'm talking about money, here, people. The US has been far behind both Britain and the European Union in two particular things money related. Yes, it's time to embrace both dollar coins and the two dollar denomination.

The dollar coin has been valid currency for a long time, but has long been dismissed by the general pubic. From the Susan B. Anthony to the Sacagawea, and now the George Washington, the one dollar coin has never caught on. In Britain, the Pound only comes in coins for the one and two pound denominations. My time in London taught me what that small pocket in my jeans was for- the change pocket became quite useful, and it was nice to not have to dig in to my wallet to buy something small. Coins are cheaper to make and last longer than bills, but that has been discussed by people smarter than me.

So, what will it take for America to embrace coinage as a popular form of currency? My initial thought is that we need it named after someone everyone knows and likes. Susan B. Anthony isn't going to cut it; most people don't know why she is historically important. While more people could say why Sacagawea is famous, she still doesn't carry that general fame and unquestioned love from the general public. But, not many figures are greater than George Washington. Despite a failed marketing campaign and the fact that they're still unsuccessfully out there, I think it's time for something new.

I offer two propositions: One, have a series of the all the presidents, much like the state quarters. Release them over time, and limit them to length of term served. The FDR dollar? Maybe less popular, because it's got 4 terms (well, 3.5) worth of coins out there. Find yourself a William Henry Harrison (30 days in office), and that's a keeper. My other thought is to release the JFK dollar. I feel like no one really hated JFK; he's a figure big enough to make this work.

What about the coin itself? What would distinguish it from a quarter? I say we take guidance from the Pound, and make it thicker, to distinguish it. Also, get rid of that fake gold sheen. Make it look like a coin, not like a something you'd find in a treasure chest.

We should also embrace the two dollar denomination. Inflation has reduced the purchasing power of the dollar, and realistically, most single items cost more than a buck. The two dollar bill (or coin) would prove more useful, as users could carry less currency, worth more. I realize that $2 bills are considered oddities, but why not use them more? It's more practical to carry more value in less physical capacity; it's quite literally more bang for the buck.

To summarize: make coin money that works, and catches on, and make the $2 denomination more prevalent.

Per usual, thanks for reading.

Dis

Keeping it Classy

Recently, there have been a variety of weddings- it is wedding season, after all (better than Christmas!). I had a thought, as I feel like invitations are single-handedly supporting the post office these days.

While weddings remain stalwarts of tradition and class, it may be time to make a break from tradition in wedding invitations. Sure, the fancy invites are nice to get in the mail- they're pretty, they become a mainstay of the side of my refrigerator, and they ooze class. And, because I am sure many brides, mothers of brides, and Ms. Manners would be appalled if I suggested the abolition of the wedding invitation in favor of something electronic, I instead propose the following. Pun intended.

So invitations stay. But, what if we made responses electronic? Wouldn't it be significantly easier if there were an online database that people could go to log their RSVPs? Fathers of the Bride would save not only on the postage required to send back those little RSVP cards, but on the cards themselves (and corresponding envelopes). An online RSVP system would be easy, and as an added feature, could incorporate wedding management for guests. Imagine it: guests could click a radio button for their response, and in addition, enter their meal preferences online, providing an easy to manage dinner list. The database could provide easy guest lists, and could probably also provide an easy to use online seating chart as the couple (or couples' parents) decided whom to seat with whom.

Since I am far from all-knowing about weddings, I would submit that there are probably other aspects of wedding planning that could be done online. Parents of the couple located in different places could both access it, should that be something that was useful.

For all I know, this could exist. If it doesn't, well, I want royalties if someone makes it. It would buck the convention of tradition, but I imagine that it would be easier and cheaper than the RSVP cards, and something easy to build. In a time when saving money is en vogue, it would be easier to make the break from tradition, without really losing any of that special wedding class.

Per usual, thanks for reading.

Dis

Editor's note: My friend Aaron created exactly what I was talking about, using Google forms. See http://snipurl.com/nrknm.

One Tangent after another...

• Got a phone call today (three, actually) from a friend I hadn't spoken to in a really long time. She's one of those ones that it really doesn't matter how long it's been, things just click again. Call that person.
• Take a moment to realize how lucky you may be. You have internet- your standard of living is probably pretty good.
• In the spirit of my friend's new blog, to be listed shortly in the recommended section on the right, listen to Manchester Orchestra's album "Everything to Nothing." It's quite good, and has something for everyone.
• Wireless internet still continues to amaze me. I can share thoughts with the world (well, all 11 of you) and sit at my kitchen table drinking tea.
• As an afterthought to the piece below, about death- take the time to hear your grandparents' stories. I haven't enough.
• Fun tidbit: The weird letters you have to retype when signing up for any online account help the new york times digitize their old articles. One word matches to make sure you're correct, and the other fills in the gaps that the optical readers can't do. Technology is cool.

And, per usual, thanks for reading.

Dis

Death (or glory)

No apologies about not writing for a while. I had nothing to say.

My best friend's grandmother died a few days ago, and tonight I went over there to sit Shiva with them. She lived a full and wonderful life, and her passing was expected, and even somewhat welcomed. The family spoke of the good memories they had, and it was a celebration of her life.

The part that puzzled me was everyone else in attendance- mostly people I knew, and all happy to see each other, but with a somber overtone. That sort of mood is to be expected, and it's not as if anyone made any faux pas. But if the family could have a more positive outlook on the whole thing, shouldn't the friends in attendance share that feeling?

I once joked to my friend Eric that if something were to happen to me in college, I didn't want any of those serious pictures shown, but instead wanted a picture of me mooning someone plastered all over any service. I feel like that would give a more appropriate tone. If I pass, and it calls for all my family and friends to be in one place, then I want them to be celebrating, and having a good time. I feel like most people feel the same way; that they would want their loved ones having a good time, and enjoying being together. Let it be a party.

Per usual, TFR.

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